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Kevin Puts’s new opera had its premiere in a Philadelphia Orchestra concert presentation before coming to New York this fall.

Singers tended to fade into the background in a concert presentation of “Wozzeck” and some productions at the Metropolitan Opera.

A concert to benefit relief efforts featured a young Ukrainian singer, Beethoven’s “Ode to Joy” and the Met’s prima donna of the moment.

Jupiter, a young ensemble from France, made its Carnegie Hall debut with a variety of moods and the gifted mezzo-soprano Lea Desandre.

As the orchestra searches for a new leader, this superstar conductor led the first of two programs pairing Schumann symphonies with new works.

Lise Davidsen unleashed rare grandeur of tone throughout her range in the title role of Strauss’s opera.

The Russian conductor Valery Gergiev and the diva Anna Netrebko have lost engagements because of their ties to Putin, as geopolitics and music collide once...

Yannick Nézet-Séguin led the sprawling masterpiece, which is being presented by the company for the first time in its original language.

Víkingur Ólafsson made his Carnegie Hall debut with a hypnotically unfurling program based on his recent album “Mozart and Contemporaries.”

Tyshawn Sorey’s “Monochromatic Light (Afterlife),” for the 50th anniversary of the Houston space, closely echoes Morton Feldman’s “Rothko Chapel.”