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The composer Stewart Wallace has overhauled his 1990s score and says “the music is freer now, and more organic, and yet completely recognizable.”

Steven Schick, a renowned figure in contemporary music, had nearly burned out as a performer. But a new recording project shows he’s hardly finished.

After playing Schubert’s Ninth Symphony just before the pandemic lockdown, the Cleveland Orchestra shone in its return to the sprawling work.

Anthony Davis’s “X” has stretches of incantation that, in person, turn it into something like a sacred rite.

Brett Dean and Matthew Jocelyn’s adaptation of the classic play is both traditional and innovative, elegant and passionate.

Isata and Sheku Kanneh-Mason were true musical partners in concert at Zankel Hall.

Simon Stone’s new staging of Donizetti’s classic opera updates the work to a present-day American town — hold (some of) the madness.

The New York Philharmonic, under Long Yu, played works by Rimsky-Korsakov, Qigang Chen and Rachmaninoff at the Rose Theater.

The company’s revival of “Eugene Onegin” gives the lie to the Russian president’s claim that his country’s composers are suffering in the West.

Jaap van Zweden led the orchestra after seven weeks away in works by Julia Perry, Shostakovich and Beethoven.