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Jeanine Tesori and George Brant’s bloodless “Grounded,” about a fighter pilot turned dissociating drone operator, stars the mezzo-soprano Emily D’Angelo.

Jeanine Tesori and George Brant’s bloodless “Grounded,” about a fighter pilot turned dissociating drone operator, stars the mezzo-soprano Emily D’Angelo.

The conductor led the New York Philharmonic in Mahler’s Fifth Symphony, an inspiring opening night for a season starting off unsettled.

By singing men and women, nobles and servants, the countertenor Anthony Roth Costanzo takes the opera’s theme of human mutability to a chaotic extreme.

Robert Levin has long argued that Mozart would have made up new material while performing, and he follows the master in a series of dazzling...

Gregory Spears and Tracy K. Smith’s new work about an ambitious minister’s rise in the 1980s is that rarity in contemporary music: an original story.

When listeners were given the power to program an orchestral concert, the results were surprising.

Ermonela Jaho’s combination of consummate technique and utter commitment has earned her ovations, critical praise and the adoration of her colleagues.

The Aix Festival is presenting a new version of “Samson,” a never-performed work by Rameau and Voltaire, two of France’s most important cultural figures.

In the mid-1700s, Christoph Willibald Gluck overthrew the musical excesses around him. A marathon double bill in France shows the vibrancy of his vision.