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Unveiling the trickery only enhances the delight of this interpretation of Mozart by the director Simon McBurney.

Without interplay from the musicians, Leonidas Kavakos found tension in his own playing in Shostakovich’s First Violin Concerto.

Over two nights at Carnegie Hall, the Boston Symphony Orchestra presented the New York premieres of works by Thierry Escaich and Thomas Adès.

The 27-year-old Xabier Anduaga debuted in the role of Nemorino in a revival of Donizetti’s romantic comedy.

With radical adaptations of Verdi’s “Macbeth” and Puccini’s “Tosca,” Heartbeat Opera shows why it’s so vital to New York’s music scene.

Alisa Weilerstein brought her new project, a mix tape of new works and movements from Bach’s cello suites, to Zankel Hall.

Often seen onstage as a star of bel canto opera, this tenor crafted a recital of works by Robert Owens, Margaret Bonds and their successors.

A festival responds to the assaults and insults of war by celebrating the composer who shaped the nation’s contemporary music, Borys Liatoshynsky.

A festival responds to the assaults and insults of war by celebrating the composer who shaped the nation’s contemporary music, Borys Liatoshynsky.

Michael Volle puts his noble voice to delightfully undignified use as the title character in Robert Carsen’s still fresh production of “Falstaff.”