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  • Nicolas Rapold

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‘Hinterland’ Review: Murderers Among Us

Stefan Ruzowitzky’s film sets a serial-killer mystery in Vienna after the ravages of World War I and employs some dazzling blue-screen backdrops.

‘I Didn’t See You There’ Review: A View From His Seat

The filmmaker Reid Davenport, by turns pensive and irritated, takes viewers inside his life as a disabled person through footage shot entirely from his perspective.

‘Vesper’ Review: Seeds of Hope

This elegantly visualized dystopian fantasy envelops us in the world of a gifted girl fending for survival with her sickly father.

‘Railway Children’ Review: A Nostalgia Trip, With Lessons

This winsome reboot of a British children’s classic, directed by Morgan Matthews, also addresses racial segregation in the armed forces during World War II.

‘Four Winters’ Review: The Jewish Resistance

The men and women in this densely story-filled documentary recount taking up arms as members of the Jewish resistance in the forests of Eastern Europe.

‘Confess, Fletch’ Review: Solving a Crime, Eventually

Jon Hamm bops along amiably enough as the carefree, wiseacre detective once played by Chevy Chase.

‘All the Beauty and the Bloodshed’ Wins Best Film at Venice Film Festival

The director, Laura Poitras, praised Nan Goldin, the photographer and subject of her film, in her acceptance speech.

‘True Things’ Review: Escape Routes

This character study from Harry Wootliff bottles the lightning of a torrid fling.

Paul W.S. Anderson and Milla Jovovich: A Marriage Built on Monsters

In 20 years and several “Resident Evil” films, the couple has found their love language in action — and a lot of blood and dust.

Foreign Films, English Titles and the Dilemma Distributors Face

Leave as is? Translate? Change altogether? A movie’s success doesn’t depend entirely on what we call it, but it can have a big effect.