Profile

A.O. Scott conducts his own exit interview as he moves to a new post after more than two decades of reviewing films.

Lily Tomlin and Jane Fonda team up in an awkward comedy about two women contemplating the murder of a predatory man.

Millions of years ago, a guy from another planet landed on this one. Like most survivors, he had a moody little girl with him.

The violence of Mexico’s drug cartels is the backdrop for Teodora Ana Mihai’s first dramatic feature.

Robert Guédiguian’s jaunty new film places a young romance against the backdrop of post-colonial Mali in the early 1960s.

Instead of the chilling rationality of HAL in “2001: A Space Odyssey,” we get the messy awfulness of Microsoft’s Sydney. Call it the banality of...

Albert Serra’s languorous new film is a dreamy meditation on post-colonial geopolitics.

Liam Neeson and Neil Jordan try to breathe new life into Raymond Chandler’s hard-boiled hero.

Channing Tatum returns as Florida’s favorite male exotic dancer, romancing a restless socialite played by Salma Hayek Pinault.

Alberto Sordi stars as an idealistic Italian Everyman caught up in a changing postwar world in this rediscovered comedy from the ’60s.